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The Room When No One Is There

The Room When No One Is There

  • Artist : John F B Miles
  • Produced : 1979
  • Type : Giclee Print
  • Category : John Miles Visionary Art
  • Original Painting Size : 59 x 48 inches (150 x 122 cm)
  • Original Medium : Oil and acrylic on canvas

Please select the size and format that you require :

Format Image SizePaper Size Price Availability  
A3 Size 10.7 x 13.2 in.
(272 x 335 mm)
11.7 x 16.5 in.
(297 x 420 mm)
£66.00 Currently in stock
A3+ Size 12 x 13.2 in.
(305 x 335 mm)
13 x 19 in.
(330 x 482 mm)
£76.00 Currently in stock

The Room When No One Is There :

John painted 'The Room When No One Is There' intensely over the course of a year, and it is one of his most beautiful and visionary paintings. It depicts the living room of his house 'Samsara' in Torquay at night 'when no one is there'. Three pieces of bamboo furniture dominate the room, John's large cushioned bamboo throne, the bamboo guest's chair, and the 'magic table' with its glazed ceramic top. Halos from the street float outside the bay window in the background, and the entire foreground at the centre of the room is filled with spirit energy forms that hover and cascade around an embryonic blue nucleus - which was often perceived by visiting dogs.


This painting of the front room is the first 'figurative' painting for over ten years. I find this 'decade' fascinating. The work begins to glow and amorphous shapes pulsate. I feel that life is once again 'very real' for me. This painting is a direct translation into paint of the very image content which has manifested itself in a lengthy sequence of drawings made in various rooms.

The painting of the front room exists!
It is in the studio now.
It is alive!
Chris Dart nearly fainted when he saw it.
He kept saying, "Its magic. I can't believe it".

I am pleased that the intensity of it can penetrate an onlooker's sensibility. I have one week to complete it. Then it must go into the Eisteddfod with some drawings. It is the first figurative painting for ten years.

All this time it has been waiting, growing inside my mind.
Unseen for a decade yet growing like the unborn child.
I feel somehow that it began before I began, that it smiled at my childhood, that yet only now it has formed.
The devastating certainty that I have not created it, but that it has created me, is also dancing in the air.

1979 has been the most traumatic year of my life by a long chalk. This love for Cherry could utterly destroy me if unfulfilled. I am in a state of fearful depression. I must give the children food.

As the days have passed and the domestic drama has unfolded it has revealed nothing with any degree of certainty; and as this year has given me torment far exceeding anything known before, I have been finishing the painting "The Room When No One Is There". I look in front of me at the fruits of this agony. Perhaps it is my most powerful painting yet.

© text by Robert Beer